| 2009-02 | Emily Dickinson의 종교시에 관한 연구 | 김수진 |
| 2024 | Ezra Pound’s Imagistic Translation of Cathay and Cross-cultural Communication | 왕형나 |
| 2019-02 | Final Lengthening Effect Due to Tonal Specification of Mandarin Chinese in Comparison with English | Li Fan |
| 2010-08 | ‘have’의 의미 확장에 관한 연구 – | 안효진 |
| 2016-08 | Ian McEwan and the Aftermath of the Enlightenment | 김려화 |
| 2018-02 | Lolita: Installing and Subverting the Romantic Myth | Kim Hye Ri |
| 2022 | Marlow’s Work Ethic: Profession and Community in “Youth,” Lord Jim, and Heart of Darkness | Kyung Min No |
| 2019 | Mediating Art in Iain Pears's "The Portrait" | Minjung Park |
| 2017-02 | Online Identity Construction: Afghans' Self-Construal on Facebook | 압둘사보르자힙 |
| 2024 | Performing Trauma: Repetition and Violence in Suzan-Lori Parks’s Topdog/Underdog and In the Blood | 장위팅 |
| 2022 | Phonetic correlates of coda stop voicing contrast in English produced by Chinese learners of English | 두지첸 |
| 2016-08 | Prosodic conditioning in segmental realization of the English /s/-stop cluster in L2 production by Korean learners of English | 이미루 |
| 2015-08 | Prosodic strengthening effects on lingual movement in V#V and V#CV sequences in Korean | 신슬기 |
| 2008-02 | Prosodic variation in Chinese and in English produced by Chinese learners of English | 남봉숙 |
| 2021 | Re-Imagining Northern Ireland: Space and Identity in the Post-Troubles Dramas of Stewart Parker, Owen McCafferty, and David Ireland | 장혜선 |
| 2023 | “Rewind! Rewind!”: Immigration, Integration, and Imagination in Kazuo Ishiguro’s Never Let Me Go | 이병인 |
| 2019 | Ritual Sacrifice as Transfigurative Violence in Edward Albee's Plays | Park, Yeong In |
| 2024 | Shadows of an Old Maid | 맹윤희 |
| 2024 | Storytelling Between Self and Community in Toni Morrison’s Novels | 변지완 |
| 2022 | T. S. 엘리엇의 『네 사중주』에 그려진 시간과 구원 | 지혜 |
