주영위 작곡 ‘상령산 줄풀이 Ⅰ’ 분석

Abstract

본고는 주영위 작, 편곡의 해금 독주곡 「상령산줄풀이Ⅰ」가 영산회상 상령산과 어떤 관계가 있는지 알아보았다. 첫째, 영산회상의 해금선율과 선율구조가 같다. 둘째, 마디별로 관악기의 선율이 응용되었는데, 이는 해금 22마디로 50%, 단소 8마디로 18.1%, 대금 6마디로 13.6%, 피리 5마디로 11.3% 순으로 해금이 제일 많다. 셋째, 응용된 선율을 그대로 쓰이는 경우보다 변형된 경우가 대부분이었는데, 내용은 장식음 제외, 장식음 첨가, 장식음 변형, 음 제외, 음 첨가, 선율 제외, 선율 첨가, 선율 변형, 박자 분할로 9가지 형태이다.; This paper examined how [Sang-Ryung San Jool Puri I], which is a Korean fiddle solo composed and edited by Young-ui Joo, is related to Sang-Ryung San(the first melody) in Young San Hoi Sang. First, its melody structure is the same as the Korean fiddle’s melody in Young San Hoi Sang. Second, the melody of wind instruments was applied at each bar. A Korean fiddle had 22 bars, 50%, a short bamboo flute had 8 bars, 18.1%, a large transverse bamboo flute had 6 bars, 13.6%, and a flute had 5 bars, 11.3%, which shows that the Korean fiddle had the most bars. Third, the applied melody in most cases was changed rather than being used as the original. The changes had nine forms which were a grace note removed, a grace note added, a grace note changed, a note removed, a note added, a melody removed, a melody added, a melody changed, and a rhythm partitioned.