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dc.contributor.authorChaemsaithong, Krisda-
dc.date.accessioned2018-03-08T06:42:33Z-
dc.date.available2018-03-08T06:42:33Z-
dc.date.issued2016-04-
dc.identifier.citation영어학연구, v. 22, NO 1, Page. 19-38en_US
dc.identifier.issn1598-9453-
dc.identifier.urihttp://scholar.dkyobobook.co.kr/searchDetail.laf?barcode=4010024857445#-
dc.identifier.urihttp://hdl.handle.net/20.500.11754/43695-
dc.description.abstractInformed by Goffman’s concept of footing (1981), this study explores multiple voices and speaking roles that a writer may take up in the preface of witchcraft pamphlets, along with their pragmatic functions. The qualitative analysis of thirteen witchcraft pamphlets (1566-1621) explicates the ways in which pamphleteers consistently shift into and depart from three speaking identities (authorial, interlocutory, and character roles). Such distinct patterns strategically serve to promote the reception, and avoid refutation, of the main text.en_US
dc.language.isoenen_US
dc.publisher한국영어학학회en_US
dc.subjectauthorialen_US
dc.subjectcharacteren_US
dc.subjectfootingen_US
dc.subjectinterlocutoryen_US
dc.subjectparatexen_US
dc.subjectprefaceen_US
dc.subjectspeaking rolesen_US
dc.titleInteractive Monologue in Witchcraft Pamphlets’ Prefaces (1566-1621)en_US
dc.typeArticleen_US
dc.relation.no1-
dc.relation.volume22-
dc.relation.page19-38-
dc.relation.journal영어학연구-
dc.contributor.googleauthorChaemsaithong, Krisda-
dc.relation.code2016017896-
dc.sector.campusS-
dc.sector.daehakCOLLEGE OF HUMANITIES[S]-
dc.sector.departmentDEPARTMENT OF ENGLISH LANGUAGE & LITERATURE-
dc.identifier.pidkrisda-
Appears in Collections:
COLLEGE OF HUMANITIES[S](인문과학대학) > ENGLISH LANGUAGE & LITERATURE(영어영문학과) > Articles
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