| 2019-10 | The role of semantic transparency in visual word recognition of compound words: A megastudy approach | 김세영 |
| 2021-01 | An investigation into health professionals' perception of the appropriateness of elderspeak in a Korean hospital setting | 이미선 |
| 2020-12 | The Scrambled Script: Contingency and Necessity in Iris Murdoch's The Green Knight | MATHEWS PETER DAVID |
| 2020-12 | Prophetic Time and the End of Capitalism in Iain Pears’s Stone’s Fall | MATHEWS PETER DAVID |
| 2020-12 | The “North” in Yeats’s Cultural Imagination | 이형섭 |
| 2020-12 | Reading The Turin Horse with Beckett | 이형섭 |
| 2020-11 | Hacking the Society of Control: The Fiction of Hari Kunzru | MATHEWS PETER DAVID |
| 2020-10 | An apparent-time study of an ongoing sound change in Seoul Korean: A prosodic account | 조태홍 |
| 2020-09 | Prosodic structurally conditioned variation of coarticulatory vowel nasalization in Mandarin Chinese: Its language specificity and cross-linguistic generalizability | 조태홍 |
| 2020-09 | 코퍼스를 기반으로 한 동사 Begin과 Start의 보어결합 양상연구: To 부정사와 동명사를 중심으로 | 이신웅 |
| 2020-08 | Neural representational similarity betweenL1andL2in spoken and written language processing | 김세영 |
| 2020-08 | Moral Legitimation in Courtroom Discourse: A Proposal | 챔사이통크리스다 |
| 2020-08 | Vol. 62 Editor's Note | 이영석 |
| 2020-08 | Helen Hennessy Vendler. Yeats's Vision and the Later Plays. (Cambridge, Mass.: Harvard UP, 1963. 286 pages | 이영석 |
| 2020-08 | 예이츠의 묘비명: 죽음의 텍스트화와 망자에게 목소리 부여하기 | 윤일환 |
| 2020-07 | Reference and identity in public discourses | 챔사이통, 크리스다 |
| 2020-06 | Actions, actors, and agency in the penalty phase of capital trials: A comparison of two genres | 챔사이통크리스다 |
| 2020-06 | Nationalism, Multiculturalism, and Translation: Translation in and of Please Look After Mom | 유재은 |
| 2020-04 | Datasets on the production and perception of underlying and epenthetic glottal stops in Maltese | 조태홍 |
| 2020-04 | A Disciplinary Unconscious of World Literature: A Joycean Case | 윤성호 |
