Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 김성훈 | - |
dc.date.accessioned | 2023-08-02T01:13:43Z | - |
dc.date.available | 2023-08-02T01:13:43Z | - |
dc.date.issued | 2014-05 | - |
dc.identifier.citation | 한국디지털디자인협의회 conference, Page. 491-492 | - |
dc.identifier.uri | https://www.dbpia.co.kr/journal/articleDetail?nodeId=NODE02414590 | en_US |
dc.identifier.uri | https://repository.hanyang.ac.kr/handle/20.500.11754/184944 | - |
dc.description.abstract | Hyper-realism not only made people experience a new world by providing more realistic images on un-real things, but also brought huge changes on the accommodation attitude of the audience to the changing contents. People are required not to access an aesthetic point of view, but to have a new interpretation on a digital image by ambiguity of borderline between the real image and CGI and non-indexical hyper-realism image. | - |
dc.language | ko | - |
dc.publisher | 한국디지털디자인협의회 | - |
dc.subject | CGI | - |
dc.subject | Hyper Realism Digital Movie | - |
dc.subject | Image | - |
dc.title | 디지털 영화 이미지에 나타난 하이퍼 리얼리즘 연구 | - |
dc.title.alternative | Research of Hyper Realism shown in digital movie image | - |
dc.type | Article | - |
dc.relation.page | 491-492 | - |
dc.relation.journal | 한국디지털디자인협의회 conference | - |
dc.contributor.googleauthor | 윤여경 | - |
dc.contributor.googleauthor | 김성훈 | - |
dc.sector.campus | E | - |
dc.sector.daehak | 디자인대학 | - |
dc.sector.department | 영상디자인학과 | - |
dc.identifier.pid | eagle | - |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.