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DC FieldValueLanguage
dc.contributor.author정경영-
dc.date.accessioned2020-09-15T06:54:53Z-
dc.date.available2020-09-15T06:54:53Z-
dc.date.issued2019-09-
dc.identifier.citation음악과 문화, v. 41, Page. 49-77en_US
dc.identifier.issn1229-5930-
dc.identifier.urihttps://www.kci.go.kr/kciportal/landing/article.kci?arti_id=ART002503496-
dc.identifier.urihttps://repository.hanyang.ac.kr/handle/20.500.11754/153936-
dc.description.abstractThe purpose of the article is to introduce Sound Studies to musicologiests and to invite them to this new scholastic area. The meaning`of sound is not defined but constructed in the scoio-cultural context. Sound Studies pursues the meaning of sound. It is rather an extension of the conventional musicology than a new invention. If the musicologists’ work is to find the meaning of sound within the context of musical composition, Sound Studies scholars trie to find it within the scoio-cultural context. If musicologists have been tried to read the society and culture that are carved in the musical works, Sound Studies try to ‘haer’ classes, genders, generation gaps, and regional differences through the ubiquitous and acousmatic sound around us.en_US
dc.description.sponsorship이 논문은 한양대학교 교내연구지원사업으로 연구되었음(HY-2018년도).en_US
dc.language.isoko_KRen_US
dc.publisher세계음악학회en_US
dc.subject소리연구en_US
dc.subject음악학en_US
dc.subject유비쿼터스 (소리)en_US
dc.subject어쿠스마틱 (소리)en_US
dc.subjectSound Studiesen_US
dc.subjectMusicologyen_US
dc.subjectUbiquitious (sound)en_US
dc.subjectAcousmatic (sound)en_US
dc.title음악학에서 소리연구(Sound Studies)로en_US
dc.title.alternativeFrom Musicology to Sound Studiesen_US
dc.typeArticleen_US
dc.relation.no41-
dc.identifier.doi10.17091/kswm.2019..41.49-
dc.relation.page49-77-
dc.relation.journal음악과 문화-
dc.contributor.googleauthor정경영-
dc.contributor.googleauthorChung, Kyung-young-
dc.relation.code2019035621-
dc.sector.campusS-
dc.sector.daehakCOLLEGE OF MUSIC[S]-
dc.sector.departmentDEPARTMENT OF COMPOSITION-
dc.identifier.pidhermes0001-


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