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DC FieldValueLanguage
dc.contributor.author이연희-
dc.date.accessioned2019-12-09T08:07:44Z-
dc.date.available2019-12-09T08:07:44Z-
dc.date.issued2018-10-
dc.identifier.citation복식문화연구, v. 26, no. 5, page. 764-776en_US
dc.identifier.issn1226-0401-
dc.identifier.issn2383-6334-
dc.identifier.urihttp://www.rjcc.or.kr/journal/article.php?code=64057-
dc.identifier.urihttps://repository.hanyang.ac.kr/handle/20.500.11754/120186-
dc.description.abstractThe purpose of this study is to serve as a reference for creative fashion design by analyzing the types and aesthetic characteristics of trompe l’oeil in contemporary men’s fashion. This research is an empirical study that utilizes both qualitative and quantitative methods to analyze fashion design cases and research articles such as academic papers and professional books. The study covers four major men’s collections: Paris, Milan, New York, and London. The period being analyzed is from 2005 Spring/Summer, which is widely regarded as a turning point at which men’s collections began rapidly, to 2019 Spring/Summer. The study analyzes 471 photos from domestic and international websites, with the following results. Types of trompe l’oeil in contemporary male fashion are classified into four types: (1) the deconstruction of clothing forms or creation methods, (2) optical illusions that create the effect of multiple layers of clothing on a single article of clothing and the reproduction of apparel details and clothing using 2D printing or embroideries, (3) realistic patterns on garments to create a camouflage effect, and (4) articles of clothing containing body images such as the chest, trunk, or internal human anatomy. These aesthetic characteristics in men’s fashion design using types of trompe l’oeil are playful, deconstructive, and decorative features based on hyper-reality. This study aims to acknowledge trompe l’oeil as being widely used in contemporary men’s fashion as a type of formative art, playing a crucial role in creative fashion design.en_US
dc.description.sponsorshipThis work was supported bythe research fund ofHanyang University(HY-2018).en_US
dc.language.isoko_KRen_US
dc.publisher복식문화학회en_US
dc.subject남성 패션en_US
dc.subject눈속임en_US
dc.subject유희성en_US
dc.subject해체성en_US
dc.subject장식성en_US
dc.subjectmen’s fashionen_US
dc.subjecttrompe l’oeilen_US
dc.subjectplayfulnessen_US
dc.subjectdeconstructionen_US
dc.subjectdecorativenessen_US
dc.title현대 남성 패션에 표현된 트롱프뢰유en_US
dc.title.alternativeTrompe l’oeil in contemporary men’s fashionen_US
dc.typeArticleen_US
dc.relation.no5-
dc.relation.volume26-
dc.identifier.doi10.29049/rjcc.2018.26.5.764-
dc.relation.page764-776-
dc.relation.journal복식문화연구-
dc.contributor.googleauthor장정임-
dc.contributor.googleauthor이연희-
dc.contributor.googleauthorJang, Jung Im-
dc.contributor.googleauthorLee, Younhee-
dc.relation.code2018019130-
dc.sector.campusS-
dc.sector.daehakCOLLEGE OF HUMAN ECOLOGY[S]-
dc.sector.departmentDEPARTMENT OF CLOTHING & TEXTILES-
dc.identifier.pidyiyhee-
dc.identifier.orcidhttp://orcid.org/0000-0002-2241-3899-


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