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dc.contributor.author이연희-
dc.date.accessioned2019-12-08T18:08:02Z-
dc.date.available2019-12-08T18:08:02Z-
dc.date.issued2018-08-
dc.identifier.citation복식, v. 68, no. 5, page. 65-86en_US
dc.identifier.issn1229-6880-
dc.identifier.issn2287-7827-
dc.identifier.urihttp://www.dbpia.co.kr/journal/articleDetail?nodeId=NODE07531888&language=ko_KR-
dc.identifier.urihttps://repository.hanyang.ac.kr/handle/20.500.11754/119568-
dc.description.abstractThis study aims to derive the characteristics of overlapping styles analysing the actual cases of contemporary fashion designs that utilize overlapping technique and also the relevant previous studies in a variety of fields. For the research method, the notion of overlapping and its characteristics are reviewed and recast based on relevant literature and advanced research. The results are as follow; The characteristics of overlapping styles are found to be transparency, duplicity, repetition, and collectivity. Transparency is expressed by the superposition of clear or translucent fabrics and subsidiary materials, by placing such fabrics and subsidiary materials at the topmost position. Duplicity is expressed by overlapping pictures and photo patterns, by the technique of trompe l’oeil, by photo-montage, etc. Repetition is expressed by the repetitive use of pleats, tucks, and ruffles, by the repetition of pictures and patterns. Collectivity is expressed by regular or irregular collective arrangement of the units of shapes, colors, and sizes of identical subsidiary materials and patterns. Based on these characteristics of overlapping, this study developed four pieces of knit fashion designs within rectangle. It is found that knit and the use of rectangle are appropriate in the making of these works. Especially while the use of rectangle can give the overall impression of hardness, the combination of these hard and angular rectangle with soft knit produces the mystic effect of uniting two opposing images. successfully and creatively achieving the coexistence of hardness and softness or masculinity and femininity.en_US
dc.language.isoko_KRen_US
dc.publisher한국복식학회en_US
dc.subject양면성en_US
dc.subject니트 패션 디자인en_US
dc.subject중첩en_US
dc.subject반복성en_US
dc.subject투명성en_US
dc.subjectcollectivityen_US
dc.subjectduplicityen_US
dc.subjectknit fashion designen_US
dc.subjectoverlappingen_US
dc.subjectrepetitionen_US
dc.subjecttransparencyen_US
dc.title중첩의 특성을 활용한 니트 패션 디자인en_US
dc.title.alternativeCharacteristicsofOverlappinginKnitFashionDesignen_US
dc.typeArticleen_US
dc.relation.no5-
dc.relation.volume68-
dc.identifier.doi10.7233/jksc.2018.68.5.065-
dc.relation.page65-86-
dc.relation.journal복식-
dc.contributor.googleauthor한민재-
dc.contributor.googleauthor이연희-
dc.contributor.googleauthorHan, Minjae-
dc.contributor.googleauthorLee, Younhee-
dc.relation.code2018019136-
dc.sector.campusS-
dc.sector.daehakCOLLEGE OF HUMAN ECOLOGY[S]-
dc.sector.departmentDEPARTMENT OF CLOTHING & TEXTILES-
dc.identifier.pidyiyhee-
Appears in Collections:
COLLEGE OF HUMAN ECOLOGY[S](생활과학대학) > CLOTHING & TEXTILES(의류학과) > Articles
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