한국과 유라시아지역의 선사시대 암각화에 나타나는 조형성 비교와 현대사회 디자인의미와의 관계성 연구

Abstract

The prehistoric age is one of the most important periods when tracing back human history. It`s because in this period, mankind began to have a variety of try for its conscious expression. In addition, these rock art petroglyphs are the human relics of the prehistoric age before the invention of writing, and the figurative study on expressed themes becomes the significant ground to make us understand social characteristics and cultural situations in that period when they were achieved. This present study aims to seek the origin of symbolic design of figures by doing a comparative analysis of figurative characteristics of rock art petroglyphs represented in the Korean peninsula and Eurasian areas in the prehistoric age. And it aims to get the original basis of design to be used in modern society by doing a comparative analysis of our own unique form modeling, and seek directions of future oriented symbolic visual design. Symbolic design represented in commonly in this area makes us know about social characteristics of the prehistoric age at the same time, has absolute power to inform their models of behavior or values as well as their identity. Figures represented in petroglyphs of the prehistoric age have the meaning of the eternal fitness of things and at the same time, are the origins of visual design, excellent artistic formative language to create human aesthetic senses or internal world richly. Design should have aesthetic artistry together with purposes. Comparison between symbolic formative arts represented in the prehistoric age of the old past and those of modern society clearly supposes directions of future design. Future symbolic visual design should have the function to perform the purpose of communication, and further more have aesthetic artistry historicity to contain the moral world faithfully and aesthetic artistry to make us feel aesthetic satisfaction richly.