| 2012-08 | Re-reading W. B. Yeats's "The Statues" | 이영석 |
| 2015-02 | A Reading of T. S. Eliot's The Waste Land from the Perspectives of Cubist Painting | 이영석 |
| 2015-04 | Reading the Audience’s Joint Pretence: Language of the Capital in Pinter’s The Dumb Waiter and Mountain Language | 김성제 |
| 2013-12 | Reading the Poetics of J. M. Synge: Nature and Poetry in The Aran Islands and Riders to the Sea | 이영석 |
| 2020-12 | Reading The Turin Horse with Beckett | 이형섭 |
| 2012-12 | Receptive Vocabulary Size for Reading English and American Novels | 이신웅 |
| 2020-07 | Reference and identity in public discourses | 챔사이통, 크리스다 |
| 2018-06 | Referential practice and contested identities in legal narratives | Krisda Chaemsaithong |
| 2016-06 | Relational Negotiation in Legal Closing Arguments | Chaemsaithong, Krisda |
| 2018-05 | Remembering the "forgotten war" after 9/11 Indignation and Home | 유재은 |
| 2014-04 | Rereading Joyce, Relocating Yeats: Reconsidering the Postcolonial Turn in Joyce and Yeats Studies | 윤성호 |
| 2017-04 | Richard Wagner and Yeats’s Vision of Poetic Drama | 이형섭 |
| 2014-05 | The Rise of the Fakumentary | Peter David Mathews |
| 2020-01 | The Role of Segmental Information in Syntactic Processing Through the Syntax-Prosody Interface | 조태홍 |
| 2019-10 | The role of semantic transparency in visual word recognition of compound words: A megastudy approach | 김세영 |
| 2016-10 | The role of subsyllabic units in the visual word recognition of Korean monosyllabic words: A masked priming study | 김세영 |
| 2013-04 | Ronald Schuchard, The Last Minstrels: Yeats and The Revival of The Bardic Arts (Oxford: Oxford UP, 2008. 447 pages.) | 이영석 |
| 2016-09 | A Scalar Analysis of Chinese Incremental Theme VP | 백지영 |
| 2020-12 | The Scrambled Script: Contingency and Necessity in Iris Murdoch's The Green Knight | MATHEWS PETER DAVID |
| 2019-01 | Semantic constraint on preposition incorporation of postverbal locative PPs in Mandarin Chinese | 백지영 |
