진은숙의 <바이올린 협주곡>에 나타나는 음색에 관한 연구-1악장을 중심으로

Abstract

20세기 현대음악의 양식적 확대가 가져온 다양성은 여러 음악사조와 함께 전통과 관습의 탈피를 가져왔다. 진은숙(1961~)의 음악은 현대음악이 가져온 청중과의 단절 이라는 문제점에서 전통적인 맥락을 포기하지 않고 새로운 소리를 찾는 것에서 그 해결점을 찾고 있다. 이러한 측면에서‘음색(timbre)’은 진은숙의 작품에서 중요한 위치를 차지하고 있으며, 이는 다른 음악적 매개변수와의 상호작용을 통해 나타난다. 진은숙의《바이올린 협주곡》(Violin Concerto, 2001)은 독주 악기인 바이올린의 특수 주법이 각 악장의 주제 음향으로 나타나는데 그중 1악장은 하모닉스 주법에 의한 음향이 중심을 이룬다. 악기에 의한 주법이 곡의 전면에 부각되어 나타나거나 음의 전개가 개방현 하모닉스와 상관관계를 갖고 나타나는 것을 통해 이 곡에서 음색의 중요성과 그 주제적 가능성을 엿볼 수 있다. 1악장의 중심 음고류는 바이올린 개방현의 4음 G,D,A,E 이며, 음의 구성방식과 구조에 따라 3부분의 형식을 갖는다. 명료한 형식과 온음계적인 3도 구성의 화성 사용은 복잡한 짜임새와 음향구조 안에서 음색이 부각될 수 있도록 소리의 균형감을 부여해 준다. 다층적인 리듬구성 방식과 박절과 단위가 다른 리듬의 수직적 배합은 입체적인 음향공간을 형성한다. 이는 시간을 대위법과 같이 운용하여 심리적으로 인지되는 시간이 실제 물리적인 시간의 흐름과 다르게 인지되도록 곡의 긴장과 이완에 영향을 미친다. 본 논문에서는《바이올린 협주곡》중 1악장 안에서 음색이 다른 음악적 매개변수와의 상호작용을 통해 어떠한 음향적 결과로 나타나는지를 중점적으로 살펴보았다.| The diversity brought by the formal expansion of 20th century modern music has caused the multiple music trends philosophies to free themselves from the traditions and customs of music. Unsuk Chin attempts to find a solution to the problems of the modern music that is characterized by its disconnection with the audience by seeking a new sound without severing up the tie with the traditional context. In this respect, timbre takes an important place in Unsuk Chin's works and this is clearly noted in its interaction with other musical parameters. In Unsuk Chin's Violin Concerto(2001), extended contemporary techniques of solo violin are presented as thematic sound in each movement, especially with the sound produced by harmonics technique in the first movement. The importance of timbre and thematic potential is displayed through the prominence of instrument techniques all over the piece and the pitch development in the relationship with natural harmonics. The main pitch class of the first movement consists of four open string notes on a violin, G, D, A, E, and has a three-part form in accordance with the composition method and structure of the notes. A clear form and the use of diatonic triads produces the sound balance to bring out timbre from the complex texture and sound structure. The multi-layered rhythmic composition method and the formulation of vertical rhythm which has a different beat unit creates a tri-dimentional sound space. It affects the building or releasing of tension as time is used as a counter-point with psychological and physical time being perceived differently. This dissertation is focused on how the timbre in Unsuk Chin's violin concerto is brought out as a result of sound form through the interplay with other musical parameters.; The diversity brought by the formal expansion of 20th century modern music has caused the multiple music trends philosophies to free themselves from the traditions and customs of music. Unsuk Chin attempts to find a solution to the problems of the modern music that is characterized by its disconnection with the audience by seeking a new sound without severing up the tie with the traditional context. In this respect, timbre takes an important place in Unsuk Chin's works and this is clearly noted in its interaction with other musical parameters. In Unsuk Chin's Violin Concerto(2001), extended contemporary techniques of solo violin are presented as thematic sound in each movement, especially with the sound produced by harmonics technique in the first movement. The importance of timbre and thematic potential is displayed through the prominence of instrument techniques all over the piece and the pitch development in the relationship with natural harmonics. The main pitch class of the first movement consists of four open string notes on a violin, G, D, A, E, and has a three-part form in accordance with the composition method and structure of the notes. A clear form and the use of diatonic triads produces the sound balance to bring out timbre from the complex texture and sound structure. The multi-layered rhythmic composition method and the formulation of vertical rhythm which has a different beat unit creates a tri-dimentional sound space. It affects the building or releasing of tension as time is used as a counter-point with psychological and physical time being perceived differently. This dissertation is focused on how the timbre in Unsuk Chin's violin concerto is brought out as a result of sound form through the interplay with other musical parameters.