| 2015-08 | Phonetic encoding of coda voicing contrast and its interaction with information structure in L1 and L2 speech | 조태홍 |
| 2015-08 | Patterns of generalization of perceptual learning on phonetic representations | 조태홍 |
| 2015-08 | What is special about prosodic strengthening in Korean: Evidence in lingual movement in V#V and V#CV | 조태홍 |
| 2015-08 | SPEECH SEGMENTATION IS ADAPTIVE EVEN IN ADULTHOOD: ROLE OF THE LINGUISTIC ENVIRONMENT | 조태홍 |
| 2015-08 | Individual differences in phonetic cue use in production and perception of a non-native sound contrast | 조태홍 |
| 2015-08 | Stance Expressions in the Courtroom | Chaemsaithong, Krisda |
| 2015-08 | Editor's Note | 이영석 |
| 2015-08 | “Yeats’s and Pound’s Craft and/or Life: Two ‘Petals on a Black, ... Bough’” | 이영석 |
| 2015-08 | Marjorie Howes and Joseph Valente, eds. Yeats and Afterwords (Notre Dame, Indiana: U of Notre Dame P, 2014, 348) | 이영석 |
| 2015-08 | ｢1919년｣: 희생의 역사를 거부하기 | 윤일환 |
| 2015-07 | Communicating with silent addressees: Engagement features in legal opening statement | Chaemsaithong, Krisda |
| 2015-06 | Ethical Contours of the (Sub)urban Space-Time Relationship in the Early Postwar American Drama | 이형섭 |
| 2016-11 | Between solidarity and argument: Interpersonal negotiation in two legal genres. | Chaemsaithong, Krisda |
| 2016-11 | Analysis of interactive speaking roles in a paratextual genre: The case of witchcraft pamphlets' prefaces (1566-1621) | Chaemsaithong, Krisda |
| 2015-04 | (Un)Masking Red Hanrahan: Reconsidering Yeats as a Short Story Writer (for the late Professor Daniel Albright) | 윤성호 |
| 2015-04 | “Sweet Auburn” as Heterotopia: Nostalgia and Protest in Oliver Goldsmith’s The Deserted Village Reconsidered | 이형섭 |
| 2015-04 | Reading the Audience’s Joint Pretence: Language of the Capital in Pinter’s The Dumb Waiter and Mountain Language | 김성제 |
| 2015-04 | Yeats in Albright: Poetics of the Modernist and Post-Modernist (for the late Professor Daniel Albright) | 이영석 |
| 2015-03 | POSITIONING SELF AND OTHERS IN THE COURTROOM: PERSON MARKERS IN THE OPENING STATEMENT | Chaemsaithong, Krisda |
| 2015-04 | Charles Altieri, The Art of Twentieth-Century American Poetry: Modernism and After (Oxford: Blackwell Publishing, 2006. 245 pages.) | 이영석 |
