폴 비릴리오의 지각이론을 통해 본 시각적 주체성 회복 -영화 <파이널 컷>과 드라마 <블랙 미러>를 중심으로

Abstract

This research aims to explain the problem of main agents of visual recognition at the modern picture images, perception of technology and visual system in modern picture images based on the theory of Paul Virilio. Advancement in technical environment makes revolutionary change of the relations between main agents of visual recognition and picture images. This mechanism is very important analytical concept as the process which is composed main agents of visual recognition that indiscriminately accepts excessive picture images in recent years. Paul Virilio look into the speed acceleration by technology as the characteristic in Dromology. This study tries to make clear the theoretical relations between speed, visual system and power. There are three kinds of revolution of dromology in his theory. He contemplaters his theory based on the phenomenology through advanced transporter, the revolution of real time electronic media and the transplant revolution. There is a similar phenomenon of the transplant revolution and cultural eschatology in the movie and the drama as his point of view. This texts shows us the distorted benefits ot the digital technology to human being and society. Paul Virilio has claimed about speed, visual machine, transplant revolution, colonization, that are shown and played key role in this texts. Paul Virilio and this texts are shown that ventilation of our situation and ethical question about natural human being. Ultimately, he insists that human being can control the speed against the growth of science. And then this study has tried to draw the clue about how to overcome the status of dependence on technology and techno phobia by considering their self-control.