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dc.contributor.author박영은-
dc.date.accessioned2017-09-27T02:33:21Z-
dc.date.available2017-09-27T02:33:21Z-
dc.date.issued2015-12-
dc.identifier.citation문학과 영상, v. 제16권, NO 3호, Page. 435-463en_US
dc.identifier.issn1229-9847-
dc.identifier.urihttp://www.dbpia.co.kr/Journal/ArticleDetail/NODE06589950-
dc.identifier.urihttp://hdl.handle.net/20.500.11754/29417-
dc.description.abstractIt is true that the legends and myths are great cultural assets of humanity and treasure houses contained unique emotions and deep wisdom of each nation. It is because they are the tales of getting sympathy and inspiration from everyone as well as a source of national spirit looking for something new from the old. Chingiz Aytmatov is one of those writers who regard with respect the heritage of peoples condensed in legends and myths. Various forms of national cultural heritage are reworked artistically in his works. Such a theme as “Mankurt”, recreated from one of the old stories that his grandmother had told him from the Kirghiz national epic Manas, becomes a cornerstone for him to expand the possibility of its transformation in storytelling as well as to broaden his artistic horizons in a variety of genres. Therefore, it is not an exaggeration that this paper, dealing with the aspects of the theme “Mankurt” and its transfiguration as well as the method utilizing it as an archetype to express their own point of view for the Central Asian artists, takes multi-layered narratives and imagination in their arts as a reference and focal point. The story from an archetype is a result of the process of preserving tradition, recreation, and transfiguration. As is revealed in the legend of “Mankurt”, which connects Chingiz Aytmatov‘s novel And the Day is Longer Than a Century and Khodzakuli Narliyev’s film Mankurt with the heroic epic Manas, to examine an evolution of the storytelling of the tale modified in a variety of genres provides an opportunity exploring the relationship between oral literature and various media. This effort will contribute to escalate the base of the humanities and visual arts study of Central Asia since it investigates the relationship of an archetype and its modifications, which has not been properly studied so far, despite of the fact that the term “Mankurt” is already incorporated into a common noun in today’s media. In addition, it will be one of the axes to understand the orientation and the world view of the Central Asian artists, having tried to represent the voice of people in the Soviet as well as the Post-Soviet era.en_US
dc.language.isoko_KRen_US
dc.publisher문학과영상학회en_US
dc.subject중앙아시아en_US
dc.subject만쿠르트en_US
dc.subject<마나스>en_US
dc.subject친기즈 아이트마토프en_US
dc.subject백년보다 긴 하루en_US
dc.subject호자쿨리 나를리예프en_US
dc.subjectCentral Asiaen_US
dc.subjectMankurten_US
dc.subjectManasen_US
dc.subjectChingiz Aytmatoven_US
dc.subjectAnd the Day is Longer Than a Centuryen_US
dc.subjectKhodzhakuli Narliyeven_US
dc.title튀르크 전설 ‘만쿠르트(Mankurt)’의 원형(元型)과 스토리텔링의 변용을 통해 본 중앙아시아의 정체성 모색en_US
dc.title.alternativeAn Archetype of the Turkish Legend “Mankurt” and the Quest for Central Asian Identity through the Transformation of Storytellingen_US
dc.typeArticleen_US
dc.relation.no4호-
dc.relation.volume제16권-
dc.relation.page435-463-
dc.relation.journal문학과 영상-
dc.contributor.googleauthor박영은-
dc.contributor.googleauthorPark, Young Eun-
dc.relation.code2015039685-
dc.sector.campusS-
dc.sector.daehakRESEARCH INSTITUTE[S]-
dc.sector.departmentASIA PACIFIC RESEARCH CENTER-
dc.identifier.pidirispen-
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RESEARCH INSTITUTE[S](부설연구소) > ASIA PACIFIC RESEARCH CENTER(아태지역연구센터) > Articles
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