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dc.contributor.author송원찬-
dc.date.accessioned2016-06-22T05:31:03Z-
dc.date.available2016-06-22T05:31:03Z-
dc.date.issued2015-02-
dc.identifier.citation중국문화연구, NO 27, Page. 1-19en_US
dc.identifier.issn1598-8503-
dc.identifier.urihttp://www.dbpia.co.kr/Journal/ArticleDetail/NODE06268014-
dc.identifier.urihttp://hdl.handle.net/20.500.11754/21850-
dc.description.abstractThis study explores modern appropriations of the popular Chinese classic, 《Xiyouji(Journey to the West)》. Long before the term “culture contents” came into vogue, Chinese classics have been exploited for cultural archetypes or original sources. 《Xiyouji》 is an exemplary case, being used for a variety of performing fields including puppet shows, dramatic performances and animations. The source power of 《Xiyouji》 transcends the national boundary as the novel attracts (re)creative forces in Korea, Japan and America. The paper adopts the framework of MSMU (Multi-Source Multi-USE) in its attempt to examine the nature of the source power of 《Xiyouji》. In doing so, the paper focuses on and utilizes the concepts of modernization, localization and contemporization. Roughly speaking, 《Xiyouji》’s appropriations in China tend to stress the continuity and inheritativenes with the original source whereas those in non-Chinese cultures tend to highlight the reformulative aspects of their appropriations. Both local and international appropriations of 《Xiyouji》 are discussed with examples pertinent to the topic of the paper.en_US
dc.language.isoko_KRen_US
dc.publisher중국문화연구학회en_US
dc.subject서유기en_US
dc.subject신마소설en_US
dc.subject문화콘텐츠en_US
dc.subjectMSMUen_US
dc.subject계승en_US
dc.subject변용en_US
dc.title≪서유기≫를 통해 본 문화원형의 계승과 변용en_US
dc.typeArticleen_US
dc.relation.no27-
dc.relation.page1-19-
dc.relation.journal중국문화연구-
dc.contributor.googleauthor송원찬-
dc.relation.code2015039778-
dc.sector.campusS-
dc.sector.daehak[S]-
dc.identifier.pidmidoong-
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