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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Dudas, Richard Daniel | - |
| dc.date.accessioned | 2022-05-27T00:56:53Z | - |
| dc.date.available | 2022-05-27T00:56:53Z | - |
| dc.date.issued | 2020-10 | - |
| dc.identifier.citation | Seminar in Medieval and Renaissance Music, page. 1-1 | en_US |
| dc.identifier.uri | https://www.asc.ox.ac.uk/event/seminar-medieval-and-renaissance-music-four-early-ars-nova-motets-new-source | - |
| dc.identifier.uri | https://repository.hanyang.ac.kr/handle/20.500.11754/171207 | - |
| dc.description.abstract | The seminar will address issues regarding the discovery of musical fragments in BnF NAF 934, fols. 79–80 (reported on https://www.diamm.ac.uk/search/?q=934; images on Gallica). Two three-voice and two four-voice motets survive, all of them unica. On the basis of notation and style, the repertory slightly postdates Fauvel. Each motet has a different form. The first utilizes a notational trick that prefigures Machaut’s M6. The second is the only isoperiodic motet, with an early, special use of red coloration in the lower voice pair. A third combines two chants, a freely rhythmized Kyrie tenor with an ostinato contratenor. The final motet is based on a Fauvel ballade. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | All Souls College, Oxford | en_US |
| dc.title | Four Early Ars Nova Motets: A New Source | en_US |
| dc.type | Other | en_US |
| dc.relation.page | 1-1 | - |
| dc.contributor.googleauthor | Dudas, Richard Daniel | - |
| dc.sector.campus | S | - |
| dc.sector.daehak | COLLEGE OF MUSIC[S] | - |
| dc.sector.department | DEPARTMENT OF COMPOSITION | - |
| dc.identifier.pid | dudas | - |
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