概念隐喻视角下舒婷诗歌中花类意象的认知解读

Abstract

舒婷诗歌重视个人情感的抒发，表现出对个体价值的关注。虽然这并不符合当时时代的主流意识形态，但舒婷诗歌并不是进行直白的对抗和反叛，而是通过内心情感的观照来辐射外部世界。这样的创作过程中，诗人运用了丰富的意象，并通过隐喻使这些意象具有了多指向性。基于这一点，从概念隐喻的视角对舒婷诗歌中的意象进行解读，可以帮助读者深入文本内部，对舒婷诗歌的内在意蕴产生更深刻的认知。本文在概念隐喻理论的视角下对舒婷诗歌中的花类意象从花是人、花是精神、花是生命经历三个方面进行了认知解读，对前人的研究进行补充的同时，为舒婷诗歌中花类意象的深入解读提供了一个新的角度。 Shu Ting’s poems attach importance to the expression of personal feelings and show concern for individual value. Although this was not in line with the mainstream ideology of the times, Shu Ting’s poetry did not carry out direct confrontation and rebellion, but radiated the external world through the observation of inner feelings. In this creative process, the poet uses rich images and makes these images multi-directional through metaphor. Based on this, interpreting the images in Shu Ting’s poetry from the perspective of conceptual metaphor can help readers go deep into the text and have a deeper understanding of the internal meaning of Shu Ting’s poetry. From the perspective of conceptual metaphor theory, this paper makes a cognitive interpretation of the flower image in Shu Ting’s poetry from three aspects: flower is human, flower is spirit and flower is life experience. While supplementing previous studies, it provides a new perspective for the in-depth interpretation of the flower image in Shu Ting’s poetry. In Shu Ting’s poetry, a plump flower image is constructed through conceptual metaphor, the cognitive domain of flower image is expanded, the internal tension of flower image is enhanced, and it presents people’s inner demands in the context of the new era on the basis of classical significance, which has modern significance. By analyzing the conceptual metaphor of flower images in Shu Ting’s poetry, we can deeply understand the multiple aesthetic connotation of Shu Ting‘s poetry.