214 0

김기수 작곡 피리독주곡 <가람>분석

Title
김기수 작곡 피리독주곡 <가람>분석
Other Titles
The Analysis of Composed by Kim Ki Soo
Author
이재남
Alternative Author(s)
Lee, Jae Nam
Advisor(s)
박인기
Issue Date
2008-02
Publisher
한양대학교
Degree
Master
Abstract
본 연구는 <가람>을 연구범위로 하여 선율과 리듬의 구조를 분석하고 음진행의 특징을 알아본 결과는 다음과 같다. 이 곡은 3악장으로 구조 속에서 각 악장마다 박자 단위의 마디 구분이 정확하고 시가와 박자 변화가 있다. 속도와 박자단위가 변하는 각 부분을 A-B-C-D-E-F-G의 표기로 구분하여 선율을 분석했다. 1악장에는 크게 두 부분 전반부A, 후반부B로 나누어져 있고, 두 번의 시가 변화가 있다. 전반부의 A의 시가는 A는♩.=40, 후반부 B는 ♩.=110 이고 박자는 12/8박자로 연주한다. 전반부 A의 선율은 <선율1>, <선율2>, <선율3>, <선율4>로 나눌 수 있고, 후반부 B의 선율은 <선율5>, <선율6>, <선율7>, <선율8>로 구분하였다. 2악장에는 크게 두 개의 부분 즉 전반부 C와 후반부 D로 나누어져 있고 1악장과 같이 두 번의 시가 변화가 있다. 시가는 전반부 C는 ♩.=50 후반부 D는 ♩=120이고 박자는 C는 12/8박자, D는 6/4박자로 연주한다. 전반부 C의 선율은 <선율9>, <선율10>로 나눌 수 있고, 후반부 D의 선율은 <선율11>, <선율12>, <선율13>, <선율14>, <선율15>, <선율16>으로 나눌 수 있다. 3악장에는 크게 3부분 전반부 E, 중반부 F, 후반부 G로 나누어져 있고 세 번의 시가 변화와 박자가 있다. 시가는 전반부 E는 ♩.=30, 중반부 F는 ♩=150, 후반부 G는 ♩=70이고, 박자는 E는 9/8 박자, F는 6/4박자 , G는 9/8박자이다. E선율은 <선율17>, <선율18>, Codetta로 F의 선율은 <선율19>, <선율20>, <선율21>로 G의 선율은 <선율22>, <선율23>, <선율24>로 나눌 수 있다.; The Analysis of composed by Kim Ki Soo. Several created Korean traditional songs showed during 1960's and 1970's. Among these songs there is created by Kim Ki Soo, which is made for PI RI solo music and very unique and creative song. This thesis was focused on the analysis of and the consideration of his creation idea and then broadened to apply the real PI RI performance through this analysis. In this paper we analyzed this music which had unique matters. This music was divided into three parts in more detail and we analyzed the change of speed, the change of rhythm and the related connections which we found some relations as below : This music is organized by 1st part, 2nd part and 3rd part and has seven changes of speed and 5 changes of rhythm. 1. First part has two change of speed, so this part is divided into two parts as it played at ♩.= ca. 40 and 110 seconds. In spite of different melodies this part looks so unified by repeating the same rhythm and the transposition/reduction. So this music totally has a stable mood and the similarity of the traditional melody. 2. Second part has two change of speed as the first part, so this part is divided into two parts as it played at ♩.= ca. 30 and 150 seconds. By this way each chapter has a different mood and at same time pursue the various differences by changing the rhythm. 3. Third part has three change of speed , so this part is divided into three parts as it played as ♩.= ca. 30, 150, and 70 seconds. This part particularly has western style techniques, especially, we can find the characteristics in the rhythm. And this part has a stability and tension by the repetition of the same rhythm and the reduction, magnification, transposition and syncopation. And then in the last part, so tensioned mood resulted from using the continuous high tones and repeating this mode. 4. In this music there are five changes of rhythm, which play by 12/8 from 1st part to 2nd part and 6/4 from the medium point of 2nd part. And then in 3rd part this music played by three change of rhythm, 8/9, 6/4, and 4/4 respectively. This part shows the diversity of the rhythm to be expressed by PI RI. And in general the traditional music is composed by five scales, but has seven musical scales by adding F and Bb. In summary, is the unique and creative song which is effectively composed to play this music to display their music talent. And this song has very creative properties for PI RI solo music due to the change of speed and rhythm.
URI
https://repository.hanyang.ac.kr/handle/20.500.11754/147871http://hanyang.dcollection.net/common/orgView/200000408353
Appears in Collections:
GRADUATE SCHOOL[S](대학원) > KOREAN TRADITIONAL MUSIC(국악학과) > Theses (Master)
Files in This Item:
There are no files associated with this item.
Export
RIS (EndNote)
XLS (Excel)
XML


qrcode

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.

BROWSE