박종기 대금독주 <군로사령 나가는데> 선율 연구

Abstract

국 문 초 록

이 오 훈

본 연구에서는 고음반 중 콜럼비아(Columbia)에서 발매된 박종기가 연주한 “군로사령 나가는데” 대금 선율과 김창룡 도창의 “군로사령 나가는데” 판소리 선율을 비교 분석하였다. 박종기의 대금 독주 “군로사령 나가는데”가 김창룡의 판소리 춘향가 중 “군로사령 나가는데”와 어떤 관계가 있는지 선율을 장단별로 비교․분석하였다. 동시대의 김창룡의 소리를 비교대상으로 삼은 이유는 박종기와 함께 음악활동을 하며 서로에게 영향을 주었기 때문이다. 또한 동시대의 음악을 비교한 이유는 시대가 지남에 따라 판소리에서도 변화가 생겨 현재의 음악과 차이를 보이기 때문이다. 산조는 판소리의 영향을 받았다는 것이 통설이다. 그러나 판소리 선율이 어떻게 산조로 기악화 되었는지는 밝혀진 바가 전무하다 할 수 있다. 본 연구를 통하여서 판소리가 기악화 되는 과정을 확인할 수 있었다. 박종기의 연주를 살펴보면 판소리의 선율을 그대로 따라 하기보다는 악기의 특성에 맞게 변화하여 연주하는 것을 확인하였으며, 박종기의 연주 뒷부분에서는 전반부와 전혀 다른 계면조 선율을 삽입하였다. 이는 판소리를 따라하는데서 그치지 않고 연주자의 창작이 더해져 대금 독주곡으로 손색이 없도록 작곡된 곡임을 입증하는 사실이다. 춘향가 중 “군로사령 나가는데”는 ‘호걸제’로 된 곡이다. 박종기의 연주 역시 ‘호걸제’로 되어 있었으며, 박종기를 통해 대금산조가 처음 만들어질 때에 산조의 틀에 삽입되어 연주되었다. 이 ‘호걸제’는 대금 산조의 전승과정에서 빠지지 않고 오늘에 이르고 있다.|A study on <Gunrosaryeongnaganeunde> Park Jong Gi solo for Daegeum -focused on comparison with pansori of Kim Chang Ryeong-

Lee, Oh Hoon

This study was conducted to research, among albums, the melody of Daegeum of "Gunrrosaryeongnaganeunde" played by Park, Jong Gi, released in Columbia, and the melody of Pansori, "Gunrosaryeongnaganeunde" of Kim, Chang Ryeong, Dochang, by comparing the said two "Gunrosaryeongnaganeunde". In addition, this study compared the above two melodies to analyze them for each rhythm to find which relationship "Gunrosaryeongnaganeunde", a title of Daegeum of Park, Jong Gi, has with "Gunrosaryeongnaganeunde" out of Chunhyangga of Pansori of Kim, Chang Ryeong. The reason why this study targeted Sori of Kim, ChangRyeong of the contemporary era as a comparison object is that it influenced the music of Park, Jong Gi, and vice versa, while Kim, Chang Ryeong displayed musical activities together with Park, Jong Gi. Moreover, the reason why this study made a comparison with the contemporary era's music is that Pansori also showed changes according as the time passed, thus Pansori came to have a difference from the current music. It is the common theory that Sanjo was affected by Pansori. However, it is unprecedented that it was found how Pansori melody became Sanjo of instrumental music. Through this study, the process could be confirmed- the process that Pansori became instrumental music. Considering the performance of Park, Jong Gi, it was found Park, Jong Gi played music, changing according to the characteristics of musical instruments rather than following the melody of Pansori as it was. Also, in the performance of Park, Jong Gi, the melody in the second half was totally different from that of the first half, and the melody of the second half consists of Kyemyeonjo, which enabled this study to identify that his music is the musical piece composed so that it compares favorably as Daegeum solo, by added by creation of the musician beyond simply following Pansori. "Gunrosaryeongnaganeunde" out of Chunhyangga is a musical piece consisting of Hogeolje. The performance of Park, Jong Gi is also composed of Hogeolje, which was inserted into the frame of Sanjo to be played when Daegeum Sanjo was firstly created by Park, Jong Gi. Even in the transmission process of Daegeum Sanjo, Hogeolje has reached today not omitted.; A study on <Gunrosaryeongnaganeunde> Park Jong Gi solo for Daegeum -focused on comparison with pansori of Kim Chang Ryeong-

Lee, Oh Hoon

This study was conducted to research, among albums, the melody of Daegeum of "Gunrrosaryeongnaganeunde" played by Park, Jong Gi, released in Columbia, and the melody of Pansori, "Gunrosaryeongnaganeunde" of Kim, Chang Ryeong, Dochang, by comparing the said two "Gunrosaryeongnaganeunde". In addition, this study compared the above two melodies to analyze them for each rhythm to find which relationship "Gunrosaryeongnaganeunde", a title of Daegeum of Park, Jong Gi, has with "Gunrosaryeongnaganeunde" out of Chunhyangga of Pansori of Kim, Chang Ryeong. The reason why this study targeted Sori of Kim, ChangRyeong of the contemporary era as a comparison object is that it influenced the music of Park, Jong Gi, and vice versa, while Kim, Chang Ryeong displayed musical activities together with Park, Jong Gi. Moreover, the reason why this study made a comparison with the contemporary era's music is that Pansori also showed changes according as the time passed, thus Pansori came to have a difference from the current music. It is the common theory that Sanjo was affected by Pansori. However, it is unprecedented that it was found how Pansori melody became Sanjo of instrumental music. Through this study, the process could be confirmed- the process that Pansori became instrumental music. Considering the performance of Park, Jong Gi, it was found Park, Jong Gi played music, changing according to the characteristics of musical instruments rather than following the melody of Pansori as it was. Also, in the performance of Park, Jong Gi, the melody in the second half was totally different from that of the first half, and the melody of the second half consists of Kyemyeonjo, which enabled this study to identify that his music is the musical piece composed so that it compares favorably as Daegeum solo, by added by creation of the musician beyond simply following Pansori. "Gunrosaryeongnaganeunde" out of Chunhyangga is a musical piece consisting of Hogeolje. The performance of Park, Jong Gi is also composed of Hogeolje, which was inserted into the frame of Sanjo to be played when Daegeum Sanjo was firstly created by Park, Jong Gi. Even in the transmission process of Daegeum Sanjo, Hogeolje has reached today not omitted.