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Tuning in Sacred: Youth Culture and Contemporary Music

Title
Tuning in Sacred: Youth Culture and Contemporary Music
Author
윤선희
Keywords
contemporary Christian music; youth culture; theology of music; Korean churches; sociology of music
Issue Date
2017-03
Publisher
CROATIAN MUSICOLOGICAL SOC
Citation
INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC, v. 47, no. 2, page. 315-342
Abstract
Sacred music has always been a source of controversy throughout history since it is an integral part of the liturgy. Contemporary Christian music (CCM) has reached a pinnacle of controversy as its realm of consumption expands globally and inter-denominationally. This study was inspired by the idea of Ricoeur's phenomenology of religion to examine the contemporary practice of liturgy and sacred music. This brings into discussion the historical controversy and cultural milieu of adopting popular culture into youth ministry. Korean case is important because Korea represents one of the strongest Christian populations in the world and at the same time challenges a drop in the number of young members and a huge generational gap in its church congregations. In order to scrutinize the concrete process of youth culture in the Christian community, an empirical study of youth ministry in seven mega churches in Seoul in South Korean was conducted as a case study.
URI
https://www.jstor.org/stable/44234974?seq=1#page_scan_tab_contentshttps://repository.hanyang.ac.kr/handle/20.500.11754/113377
ISSN
0351-5796
Appears in Collections:
COLLEGE OF SOCIAL SCIENCES[S](사회과학대학) > MEDIA COMMUNICATION(미디어커뮤니케이션학과) > Articles
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