85 0

신상옥의 영화에 나타난 사선의 미학

Title
신상옥의 영화에 나타난 사선의 미학
Other Titles
Aesthetics of the Oblique Composition in the Historical Movies of Shin Sang-ok
Author
김호영
Keywords
Shin Sang-ok; image text; oblique composition; visual composition; parallel perspective; historical movie
Issue Date
2006-05
Publisher
한양대학교 현대영화연구소
Citation
현대영화연구, v. 2, Page. 37-66
Abstract
This paper intends to look into the 'formal' aspects in the movies of Shin Sang-ok, who is a representative film director of Korea in the 1960's. Shin Sang-ok quested for the embodiment of 'image text' rather than 'language text' in order to express his outlook on the world and aesthetical point of view through various image-signs in his movie. We can find that the narrative structure in his historical movies such as Yĕonsangun, Tyrant Yĕonsan is used as a very critical communication tool and also the position and the angle of the camera produce diverse meanings. Specifically, in his move, it is notable that he made un original oblique composition, which is different from the perspective representation used in the western arts and movies. This creative technique is rarely found in any films from other countries. It is said that he overcame 'the perspective representation' which means one creature of the western modernity, by using the oblique composition based on the oriental painting skill. We surveyed the conflicts of tradition and modernity which were shown in Korean historical movie in the 1960's. In this way, his historical movies seems to transcend the western modernity into the oriental contemplative aesthetics in a layer of formal technique of the film.
URI
http://kiss.kstudy.com/thesis/thesis-view.asp?key=2589208https://repository.hanyang.ac.kr/handle/20.500.11754/107979
ISSN
1975-5082
Appears in Collections:
COLLEGE OF LANGUAGES & CULTURES[E](국제문화대학) > FRENCH STUDIES(프랑스학과) > Articles
Files in This Item:
There are no files associated with this item.
Export
RIS (EndNote)
XLS (Excel)
XML


qrcode

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.

BROWSE