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dc.contributor.author김영철-
dc.date.accessioned2019-03-15T07:57:20Z-
dc.date.available2019-03-15T07:57:20Z-
dc.date.issued2015-06-
dc.identifier.citation중국어문학논집, v. 92, Page. 249-267en_US
dc.identifier.issn1225-973X-
dc.identifier.urihttp://www.dbpia.co.kr/Article/NODE06393843-
dc.identifier.urihttps://repository.hanyang.ac.kr/handle/20.500.11754/100875-
dc.description.abstractCritics generally pointed out that Ci potry of Yuan dynasty was at an ebb. Yet this completely overlooked efforts Critics of Yuan dynasty including LuXingZhi As a disciple of ZhangYan, LuXingZhi had consistently developed formalism of Ci potry. this article focused on Representative work - CiZhi of LuXingZhi, and discussed CiYan - the central pillar of formalism in depth. The Ci Poetry Theory ‘Ci Yan’ had close relation with the following : notes on poets, composer of ci poetry, the stylistic traits , word class, lyric writing, scenery of description.en_US
dc.language.isoko_KRen_US
dc.publisher중국어문학연구회en_US
dc.subject词眼en_US
dc.subject詞旨en_US
dc.subject陸行直en_US
dc.subjecten_US
dc.subject元代en_US
dc.subjectCiYanen_US
dc.subjectCiZhien_US
dc.subjectLuXingZhien_US
dc.subjectCi poetryen_US
dc.subjectYuan dynastyen_US
dc.title元代 陸行直의 詞眼論en_US
dc.title.alternativeOn The Ci Poetry Theory ‘Ci Yan’ of LuXingZhi in Yuan Dynastyen_US
dc.typeArticleen_US
dc.relation.no92-
dc.relation.page249-267-
dc.relation.journal중국어문학논집-
dc.contributor.googleauthor김영철-
dc.relation.code2015039782-
dc.sector.campusE-
dc.sector.daehakCOLLEGE OF LANGUAGES & CULTURES[E]-
dc.sector.departmentDEPARTMENT OF CHINESE STUDIES-
dc.identifier.pidfaith-
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COLLEGE OF LANGUAGES & CULTURES[E](국제문화대학) > CHINESE STUDIES(중국학과) > Articles
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