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레오 까락스 영화의 사운드 영역 확장에 대한 연구

Title
레오 까락스 영화의 사운드 영역 확장에 대한 연구
Other Titles
A Study on the Expansion of the Range of the Sound in Films of Leos Carax
Author
이상인
Keywords
Sound; Leos Carax; Off Sound; Monologue; Asynchronous sound; 영화
Issue Date
2014-06
Publisher
한국영상제작기술학회
Citation
영상기술연구 / journal of the moving image technology associon of korea. 2014-06 :105-125
Abstract
Many people tend to think of sound as simply an accompaniment to the real basis of cinema, the moving images. But sound bristles with as many creative possibilities as editing. Many filmmakers have exploited the expansion of the range of the filmic sound through using creative ways. Leos Carax is the one of the key directors who has experiments filmic sounds in diverse ways. In his early three works, 〈Boy meets Girl〉(1984), 〈Mauvais Sang〉(1986), 〈Les Amants Du Pont-Neuf〉(1991), Carax uses with various interior monologues, off sounds, asynchronous sounds, silence to express unusual attitude to cinema and human being. It is very remarkable cinematic method which he used selection and combining of desired sound. Carax uses sounds that are recognizable to us but which come at carefully chosen moments. Through his control of what sounds we hear, what qualities these sounds have, and what relationships exist among those sounds and between sound and image, he has made this technique an important factor in controlling our attention throughout the films.
URI
http://www.dbpia.co.kr/Journal/ArticleDetail/NODE06402320http://hdl.handle.net/20.500.11754/46746
ISSN
1738-5180
Appears in Collections:
COLLEGE OF ART AND PHYSICAL EDUCATION[S](예술·체육대학) > THEATER AND FILM(연극영화학과) > Articles
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