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dc.contributor.author이영석-
dc.date.accessioned2018-03-14T04:59:51Z-
dc.date.available2018-03-14T04:59:51Z-
dc.date.issued2014-08-
dc.identifier.citationThe Yeats Journal of Korea / Yeats Journal , 2014. 44, pp. 63-83 (21 pages)en_US
dc.identifier.issn1226-4946-
dc.identifier.urihttps://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART001909397-
dc.identifier.urihttp://hdl.handle.net/20.500.11754/46590-
dc.description.abstractHow Seamus Heaney, born on a farm in Northern Ireland in 1939?the year Yeat died?and living under Yeatsian influence, could make himself a new poet is an important question this paper is asking. My way to find this out is to conduct a close reading of some poems, mainly those in Death of a Naturalist, one of his best books of poetry, his first book. I focus on “Waterfall” and “Digging”: the former is much neglected and hardly discussed and the latter mostly regarded as a simple poem.en_US
dc.language.isoenen_US
dc.publisher한국예이츠학회 / The Yeats Society of Koreaen_US
dc.subjectHeaneyen_US
dc.subjectYeatsen_US
dc.subjectDeath of a Naturalisten_US
dc.subjectModernisten_US
dc.subjectdiggingen_US
dc.subjectwaterfallen_US
dc.subject히니en_US
dc.subject예이츠en_US
dc.subject순수의죽음en_US
dc.subject모더니스트en_US
dc.subject밭갈기en_US
dc.titleDigging Up "Digging," "Waterfall": Reading Heaney's Early Poetry in Death of a Naturalisten_US
dc.typeArticleen_US
dc.relation.volume44-
dc.identifier.doi10.14354/yjk.2014.44.63-
dc.relation.page63-83-
dc.relation.journal한국 예이츠 저널-
dc.contributor.googleauthorRhee, Young Suck-
dc.relation.code2014000339-
dc.sector.campusS-
dc.sector.daehakCOLLEGE OF HUMANITIES[S]-
dc.sector.departmentDEPARTMENT OF ENGLISH LANGUAGE & LITERATURE-
dc.identifier.pidysrhee-
Appears in Collections:
COLLEGE OF HUMANITIES[S](인문과학대학) > ENGLISH LANGUAGE & LITERATURE(영어영문학과) > Articles
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