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dc.contributor.author이연희-
dc.date.accessioned2016-10-14T02:16:17Z-
dc.date.available2016-10-14T02:16:17Z-
dc.date.issued2017-06-
dc.identifier.citation복식문화연구, v.25, no.3, Page.375 - 390en_US
dc.identifier.issn1226-0401-
dc.identifier.issn2383-6334-
dc.identifier.urihttp://hdl.handle.net/20.500.11754/23806-
dc.identifier.urihttps://www.kci.go.kr/kciportal/landing/article.kci?arti_id=ART002241427-
dc.description.abstractThe aims of this research were to characterize magic realism by analyzing existing magical reality literature reviews and research and to identify material that may inspire ideas for stage and film costume design by analyzing and drawing design characteristics and magic realism of costumes from Director Tarsem Singh’s movie, ‘Mirror, Mirror’. For the methodology, characteristics of magic realism in literature and, movies were analyzed, with a theoretical consideration of these materials on magical realism. Data on costume design and magical realism characteristics for use in the analysis were collected from the main characters of ‘Mirror, Mirror’ as well as from other characters. The result of this analysis was the emergence of five common characteristics of the magic realism Historicity, the most remarkable characteristic seen in Tarsem Singh films, was expressed through the symbolic meaning and decorative patterns shown by the traditional-style costumes, colors. Symbolization was expressed through the symbolic meaning, decorative elements, and traditional clothes, as shown by the colors and forms of the costumes. Fantasy was expressed through the colors, decorative elements, forms of traditional clothing, and forms with symbolic meaning. Reproducibility was expressed through the method of decorative element, symbolic meaning, traditional forms and de-structural clothes. Ambiguity, which can be associated with the combined characteristics of historicity and fantasy, was expressed in the clothes worn in the scenes that confounded time and space within the film.-
dc.description.sponsorshipThis work was supported by the research fund of Hanyang University (HY-2016).-
dc.publisher복식문화학회en_US
dc.subject매직리얼리즘-
dc.subject타셈 싱-
dc.subject백설공주-
dc.subject영화의상-
dc.subjectmagic realism-
dc.subjectTarsem Singh-
dc.subjectMirror Mirror-
dc.subjectmovie costumes-
dc.title타셈 싱(Tarsem Singh) 영화 백설공주 의상에 표현된 매직리얼리즘 특성en_US
dc.title.alternativeCharacteristic of magical realism expressed in Tarsem Singh's movie [Mirror, Mirror]-
dc.typeArticleen_US
dc.identifier.doi10.29049/rjcc.2017.25.3.375-
dc.relation.page375 - 390-
dc.contributor.googleauthor양수현-
dc.contributor.googleauthor이연희-
dc.contributor.googleauthorYang, Soo Hyun-
dc.contributor.googleauthorLee, Younhee-
dc.sector.campusS-
dc.sector.daehakCOLLEGE OF HUMAN ECOLOGY[S]-
dc.sector.departmentDEPARTMENT OF CLOTHING & TEXTILES-
dc.identifier.pidyiyhee-
dc.identifier.orcidhttp://orcid.org/0000-0002-2241-3899-
Appears in Collections:
COLLEGE OF HUMAN ECOLOGY[S](생활과학대학) > CLOTHING & TEXTILES(의류학과) > Articles
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