854 0

Full metadata record

DC FieldValueLanguage
dc.contributor.author김성제-
dc.date.accessioned2016-10-06T00:26:31Z-
dc.date.available2016-10-06T00:26:31Z-
dc.date.issued2015-04-
dc.identifier.citation영미문학교육, v. 19, NO 1, Page. 167-187en_US
dc.identifier.issn1229-2249-
dc.identifier.urihttp://scholar.dkyobobook.co.kr/searchDetail.laf?barcode=4010024224441#-
dc.identifier.urihttp://hdl.handle.net/20.500.11754/23596-
dc.description.abstractHarold Pinter’s early plays foreground the characters’ immediate languages which mirror nothing but the contingent situation. They seem to be empty and absurd. His late plays describe a particular response to a particular situation in which there are political victims. This paper interprets the empty absurdity of The Dumb Waiter through the hindsight of his late political play, Mountain Language. It will suggest a way of symptomatic reading that signifies the audience’s structure of reference and attitude, and help the students to fill in absurd drama and to reflect their habitual perceptions. Pinter mirrors the audience dramatizing their joint pretence. The first problematic reference comes from his first novel and drama The Dwarfs: the joint pretence between the perceiver and the perceived, that makes up our habitual perceptions. The second is the crucial hegemonic operation of the language of the capital in Mountain Language. The third synthesizes the above two questions: the audiences’s habitual reference and attitude to the hegemonic double bind between assimilation and discrimination of the language of the capital that reproduces political victims. Gus in The Dumb Waiter questions something common but wrong. He plays the role as the double: the executioner and the executed. The play casts the audience who do not question why something wrong becomes common. The audience are invited to play the double: the executioner and the executed.en_US
dc.description.sponsorshipThis work was supported by the National Research Foundation of Korea Grant funded by the Korean Government (NRF-2011-32A-A00132).en_US
dc.language.isoenen_US
dc.publisher한국영미문학교육학회en_US
dc.subjectThe Dumb Waiteren_US
dc.subjectMountain Languageen_US
dc.subjectjoint pretenceen_US
dc.subjecthabitual perceptionen_US
dc.subjectlanguage of the capitalen_US
dc.subjectdouble binden_US
dc.subjectaudienceen_US
dc.titleReading the Audience’s Joint Pretence: Language of the Capital in Pinter’s The Dumb Waiter and Mountain Languageen_US
dc.typeArticleen_US
dc.relation.no1-
dc.relation.volume19-
dc.relation.page167-187-
dc.relation.journal영미문학교육-
dc.contributor.googleauthorKim, Seong Je-
dc.relation.code2015039947-
dc.sector.campusS-
dc.sector.daehakCOLLEGE OF HUMANITIES[S]-
dc.sector.departmentDEPARTMENT OF ENGLISH LANGUAGE & LITERATURE-
dc.identifier.pidseongj-
Appears in Collections:
COLLEGE OF HUMANITIES[S](인문과학대학) > ENGLISH LANGUAGE & LITERATURE(영어영문학과) > Articles
Files in This Item:
There are no files associated with this item.
Export
RIS (EndNote)
XLS (Excel)
XML


qrcode

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.

BROWSE