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Study on Textile Patterns in the Film "In the Mood for Love"- Focused on qipao of heroine -

Title
Study on Textile Patterns in the Film "In the Mood for Love"- Focused on qipao of heroine -
Other Titles
Study on Textile Patterns in the Film "In the Mood for Love"- Focused on qipao of heroine -
Author
이영재
Keywords
pao; qipao; Wuien Bioring; Magap; Chinese orientalism; op art
Issue Date
2005-07
Publisher
한국패션비즈니스학회
Citation
패션 비즈니스, v. 9, NO. 3, Page. 150-161
Abstract
The retro fashion and orientalism have been the main trend in the fashion industry from 2000 as the turning point from the minimalism. In particular, the far eastern orientalism, that is, Japanese orientalism had been rapidly spread from 2001. As the trend has been moving to Chinese orientalism from 2003, the fabrics with flower pattern prints and those imbued with Chinese orientalism that were popular in 1960 are the main stream in the textile industry at present. As keeping up with the current trend, this study analyzed the common features and differences between textile patterns with Chinese orientalism that are prevailing at present and the textile patterns that were popular in 1960s through the film "In the Mood for Love" that told the story of people who immigrated from Shanghai to Hong Kong in 1960s.According to the analysis, the popular textile patterns in 1960s were splendid flower patterns, pop art and op art patterns. Such a trend was elegantly expressed as the textile pattern of Chinese orientalism using qipao in the film "In the Mood for Love".
URI
https://kiss.kstudy.com/thesis/thesis-view.asp?key=2616164https://repository.hanyang.ac.kr/handle/20.500.11754/185338
ISSN
1229-3350;2288-1867
Appears in Collections:
COLLEGE OF DESIGN[E](디자인대학) > JEWELRY & FASHION DESIGN(주얼리·패션디자인학과) > Articles
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