J.Brahms의 피아노 소나타 제 3번 작품번호 5번 바단조 제 1악장에 관한 연구

Abstract

요하네스 브람스(Johannes Brahms, 1833-1897)는 19세기 낭만주의 시대의 대표 작곡가이다. 그는 시대적으로 19세기 낭만주의 시대를 살았지만 고전파 음악의 전통을 지켜나가고자 하였다. 또한 동시에 낭만주의의 감성을 잃지 않고 낭만적 음악의 새로운 표현방법을 보여주었다. 이처럼 브람스는 표면적으로는 상반되어 보이는 낭만주의와 고전주의의 속성을 결합시킴으로서 독자적 노선을 구축하였다. 이러한 점에서 그는 고전시대의 음악적 이상을 낭만파 음악에 도입시킨 ‘고전적 낭만주의(Classic Romantism)’의 대표 작곡가로 평가받는다. 본 논문을 통해 먼저 브람스가 살았던 낭만주의 시대적 배경과 고전적 낭만주의의 배경, 그의 생애, 작품, 특징에 대하여 연구함으로써, 그의 음악세계가 확립된 배경에 대해서 알아보았다. 다음으로 그의 <피아노 소나타 제 3번 작품번호 5번 f단조 제 1악장(Piano Sonata No. 3 Op. 5 in f minor 1st)>을 중심으로 분석 ․ 연구하였다. 고전시대 음악의 중심이었던 ‘소나타(Sonata)’형식을 브람스가 어떻게 다루고 있는지 살펴보고, 작품 안에 공존하고 있는 고전주의와 낭만주의적 요소를 알아보았다. 그의 피아노 소나타 제 3번 작품번호 5번 f단조 제 1악장은 악구구조와 조성관계 면에서 고전주의 소나타 형식을 충실하게 취하고 있다. 동시에 브람스만의 작곡기법으로 짙은 낭만주의적 색채를 내고 있다. ‘발전적 변주(developing variation)’, ‘헤미올라(hemiola)’, 당김음(syncopation), 감7화음(diminished seventh chords) 등의 사용이 그 예이다. 본 연구에서는 브람스만의 독자적인 음악세계를 알 수 있었다. 그는 주관적 감정미학이 지배한 낭만주의시대를 살아가면서도 고전시대의 전통형식과 기법을 계승하고 발전시켜 고전적 낭만주의라는 독창적인 영역을 이루어낸 작곡가이다.| Johannes Brahms is one of the most prominent composers at the time of the age of when Romanticism in the 19th century. Although he was living in part of the age Romanticism flourished, and thus bombarded with Romantic elements from the environment, he endeavored to keep the tradition of classical music. At the same time, he also tried to maintain the tone and emotion of the Romanticism in his music, which led to the introduction of a new method of musical expression. In this way, Brahms successfully united elements of Romanticism and Classicism, which can be seem quite contrary to each other superficially, constructing his own unique musical style. For this reason, he is often to referred as the representative composer of the Classical Romanticism. The following thesis demonstrates the biography, periodical setting, masterpieces, and their characteristics of Johannes Brahms, especially focusing on the analysis of Piano Sonata No.3 Op. 5 1st. This focus is necessary to the make scrutiny into how Brahms, who is referred as the representative of Romantic Classicism, fused his unique style with ‘Sonata’ form, which was widespread during the age of Classicism. Furthermore, the thesis will illustrate how elements of both Classicism and Romanticism co-existed in harmony in his masterpieces. The research that this thesis carries out has significance in realizing the unique musical realm of Johannes Brahms, which clearly distinguishes itself from those of other 19th century Romanticism composers’ through studying his musical exclusivity. This thesis, overall, will assert that even though Brahms lived through the age of Romanticism, which was driven by aesthetic feelings, he successfully constructed the musical realm of Romantic Classicism via both inheriting and improving the traditional format and composition method of the age of Classicism.; Johannes Brahms is one of the most prominent composers at the time of the age of when Romanticism in the 19th century. Although he was living in part of the age Romanticism flourished, and thus bombarded with Romantic elements from the environment, he endeavored to keep the tradition of classical music. At the same time, he also tried to maintain the tone and emotion of the Romanticism in his music, which led to the introduction of a new method of musical expression. In this way, Brahms successfully united elements of Romanticism and Classicism, which can be seem quite contrary to each other superficially, constructing his own unique musical style. For this reason, he is often to referred as the representative composer of the Classical Romanticism. The following thesis demonstrates the biography, periodical setting, masterpieces, and their characteristics of Johannes Brahms, especially focusing on the analysis of Piano Sonata No.3 Op. 5 1st. This focus is necessary to the make scrutiny into how Brahms, who is referred as the representative of Romantic Classicism, fused his unique style with ‘Sonata’ form, which was widespread during the age of Classicism. Furthermore, the thesis will illustrate how elements of both Classicism and Romanticism co-existed in harmony in his masterpieces. The research that this thesis carries out has significance in realizing the unique musical realm of Johannes Brahms, which clearly distinguishes itself from those of other 19th century Romanticism composers’ through studying his musical exclusivity. This thesis, overall, will assert that even though Brahms lived through the age of Romanticism, which was driven by aesthetic feelings, he successfully constructed the musical realm of Romantic Classicism via both inheriting and improving the traditional format and composition method of the age of Classicism.