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트랜스 미학: 예이츠, 쉬게루 아오키, 피카소

Title
트랜스 미학: 예이츠, 쉬게루 아오키, 피카소
Other Titles
A Trans-aesthetics: W.B. Yeats, Shigeru Aoki, and Pablo Picasso
Author
이영석
Keywords
Yeats; Shigeru Aoki; Picasso; pre-Raphaelitism; trans-aesthetics
Issue Date
2017-04
Publisher
한국예이츠학회
Citation
한국예이츠저널, v. 52, page. 81-98
Abstract
This paper discusses Yeats, Aoki, and Picasso as an exemplification of a trans-aesthetics. I will put Yeats and Aoki in two contexts, Cubism and pre-Raphaelitism, in order to study Yeats and Aoki. To do so, I will discuss the two art movements, Cubism and pre-Raphaelitism, the second being a movement in England. While the pre-Raphaelite Yeats is now relatively well researched and well known, Shigeru Aoki, a great Japanese painter/poet, who was also a pre-Raphaelite, is hardly known outside his country, Japan. Considering that pre-Raphaelitism was an English movement, it is rather surprising that a painter in Japan in the early 20th century had become deeply interested in it. Furthermore, both Yeats and Aoki, with this aesthetics, became the leading figures in the literary and art worlds of their countries.
URI
http://yeatsjournal.or.kr/index.php?mid=Issue&category=53&document_srl=21251http://repository.hanyang.ac.kr/handle/20.500.11754/113494
ISSN
1226-4946; 2288-5412
DOI
10.14354/yjk.2017.52.81
Appears in Collections:
COLLEGE OF HUMANITIES[S](인문과학대학) > ENGLISH LANGUAGE & LITERATURE(영어영문학과) > Articles
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