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dc.contributor.author김호영-
dc.date.accessioned2019-08-27T02:02:22Z-
dc.date.available2019-08-27T02:02:22Z-
dc.date.issued2006-12-
dc.identifier.citation기호학 연구, v. 20, Page. 199-229en_US
dc.identifier.issn1229-3172-
dc.identifier.urihttp://kiss.kstudy.com/thesis/thesis-view.asp?key=2587141-
dc.identifier.urihttps://repository.hanyang.ac.kr/handle/20.500.11754/109956-
dc.description.abstractThe aim of this paper attempts to explain the conflicts between the modern times and the premodern times in the Korean movies of the 1960's through analyzing the shapes of spaces in Kim Ki-young's movies. For it, this paper explains the meaning and the function of the space through his movies, which were produced from the early 1960's to the early 1970's, whose names of those movies are The Housemaid(1960), Woman of Fire(1971) and Insect Woman(1972). Furthermore, this paper can make us understand the social structure in those times. First of all, this paper pays attention to the spaces where the narrative happened. A two-story house, a big and tall apartment, a building and an overpass express the features of the Korean society which was accelerating the industrialization and the modernization. However, all this space where coexisted both the modern and the premodern represent the confusing features in that society. The second, this paper has analyzed the shape of space in his movies. He expressed the conflicts between the modern times and the premodern times with cinematically techniques. Most of all, he used this way, that is, "frame within frame". He gave cinema audiences the pleasure of voyeurism and the position of the observant using this technique in a lot of ways. Also, in using the "frame within frame" technique, he made a lot of visual images through the values of the premodern times which were interlaced in the values of the modern times.en_US
dc.language.isoko_KRen_US
dc.publisher한국기호학회en_US
dc.subject김기영en_US
dc.subject한국 영화en_US
dc.subject근대en_US
dc.subject전근대en_US
dc.subject공간구조en_US
dc.subject이차 프레임en_US
dc.subjectKim Ki-youngen_US
dc.subjectKorean movieen_US
dc.subjectmodernityen_US
dc.subjectpre-modernityen_US
dc.subjectspace shapeen_US
dc.subjectframe within frameen_US
dc.title김기영 영화의 공간구조에 나타난 근대와 전근대의 갈등 양상en_US
dc.title.alternativeThe pre-modernity in the modernity: The study of the space shape in Kim Ki-Young`s moviesen_US
dc.typeArticleen_US
dc.relation.journal기호학 연구-
dc.contributor.googleauthor김호영-
dc.relation.code2012211368-
dc.sector.campusE-
dc.sector.daehakCOLLEGE OF LANGUAGES & CULTURES[E]-
dc.sector.departmentDEPARTMENT OF FRENCH STUDIES-
dc.identifier.pidzizou-
Appears in Collections:
COLLEGE OF LANGUAGES & CULTURES[E](국제문화대학) > FRENCH STUDIES(프랑스학과) > Articles
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